Both, however, say it is the Supreme Vishnu Mantra. In the Tantric Tradition, the Rishi of the Mantra is Prajapati in the Puranic Tradition the Rishi is Narada. It has two traditions-Tantric and Puranic. ![]() It is called the Dwadasakshari Mantra or simply Dwadasakshari, meaning the “ twelve-syllable” mantra dedicated to Vishnu and Lord Krishna both. Om Namo Bhagavate V ā sudev ā ya is one of the most popular Hindu mantras, and the most important mantra in Vaishnavism. Subscribe on Youtube: The Spiritual Talks Om Namo Bhagavate Vasudevaya Mantra & benefits Sound is a path which can guide us there.#benefits of om namo bhagawate vasudevaya mantra, #effective mantra of lord vishnmukti mantra, #effects of om namo bhagavate vasudevaya mantra, #liberation mantra, #Lord Krishna, #Lord Krishna Mantra, #lord vishnu, #lord vishnu mantra, #meaning of om namo bhagavate vasudevaya, #moksha mantra, #om namo bhagavate vasudevaya, #om namo bhagavate vasudevaya mantra, #om namo bhagavate vasudevaya mantra benefits, #om namo bhagavate vasudevaya mantra chanting, #om namo bhagawate vasudevaya, #om namo bhagawate vasudevaya mantra, #om namo bhagwate vasudevaya, #om namo bhagwate vasudevaya mantra, #vaishnav mantra Through any one of them, we can see that all these differences are illusion, and that in truth all is one. ![]() Shama views all these teachings and practices as different facets of the diamond mind. She has studied with several sound shamans, including Frank Coppieters and Tito La Rosa, as well as sound healers such as Chris James. Shama’s music reflects the varied spiritual practices she has studied and embraced, including Hinduism, Buddhism, Sufism, Mystical Christianity and the Kabbalah. In 2006 she joined the shamanic sound troupe Shemaya, which creates improvisational healing sound. She shares her music in chant evenings as well as in New Thought churches and in special events, such as labyrinth walks and solstice ceremonies. In 2004 she began playing a keyboard, and again felt Spirit guiding her playing and songwriting in ever-expanding ways. Shama bought a harmonium and found Spirit teaching her how to play and lead chant. Through the vocal practice of this discipline, her voice developed both in its range and control as well as in its ability to carry the energy of spirit.ĭuring this time she experienced kirtan with Jai Uttal and Krishna Das, and felt an immediate affinity with chant as a meditative practice. ![]() She studied in India with some of the masters of the Kirana Ghirana lineage. In Portland, Shama began vocal study of Indian Raga music with disciples of Pandit Pran Nath, including Terry Riley, Mashkoor Ali Kahn, Michael Stirling, Rik Masterson, and Rose Okada. She then studied Afro Cuban drumming, continuing in Hawaii, where she joined a singing troupe led by Lila, which performed original spiritual songs in many languages with African drum accompaniment. She began studying African dance and drumming, studying with West African teacher Ibrahima Carama in Boston for three years. Shama began to focus on music seriously in her life after a major life transitio… Read Full Bio ↴ Shama began to focus on music seriously in her life after a major life transition at age 30.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |